I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
As the mother of three grown children who also returned home during the pandemic, I loved Patchett’s usage of an unanticipated reunion to tell her children a long, drawn-out story.
I love novels that explore the theme of inheritance, not of material possessions, but the emotional skills that are handed down between generations. Patchett explores what we share and what we hold back, as well as our children’s seemingly insatiable appetite for stories about our young lives.
This book is also a love story about Northern Michigan and a life dedicated to farming orchards. The protagonist's point of view may be that of a grown woman in her fifties, but in recounting the love affair of one summer, she reaffirms her own life choices.
THE SUNDAY TIMES BESTSELLER * THE NO. 1 NEW YORK TIMES BESTSELLER *
A REESE WITHERSPOON AND BBC RADIO 2 BOOK CLUB PICK
'A new Ann Patchett novel is always cause for celebration ... and Tom Lake is one of her best' i
'This comforting summer read has it all ... Young love, sibling rivalry and deep mother-daughter relationships' REESE WITHERSPOON
'Filled with the moments I live for in a story' BONNIE GARMUS, author of Lessons in Chemistry
'One of the most beloved authors of her generation' SUNDAY TIMES
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This is a story about Peter Duke who went on…
As if relationships between siblings and spouses aren’t already complicated enough, Cunningham throws the isolation and distance of COVID into the mix.
I love this author’s ability to turn extremely authentic and simple domestic dramas occurring on one day into revelatory ideas about child-rearing and the expectations family members have of one another. A generation of young parents, their inquisitive children, the devotion of a brother and sister, and an infatuation between brothers-in-law are the subjects of this well-paced work.
The effect of the pandemic on a marriage, on family members' psyches, and the aftermath of one of their deaths is written with tenderness and insight. This is a fabulous read depicting the new age in which we live.
'Unsparing and tender' Colm Toibin, author of Brooklyn
'A brilliant novel from our most brilliant of writers' Colum McCann, author of Apeirogon
'A quietly stunning achievement' Ocean Vuong, author of On Earth We're Briefly Gorgeous
As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious - and learning to go on.
April 5th, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit…
Elizabeth Strout is perfecting a practice I’m sold on–the literary recasting of characters from one novel to the next.
In this book, I got to return to Lucy Barton and her ex-husband, William, who were thrown together in a cabin in Maine due to the pandemic. Writing the novel from the first-person perspective of the protagonist, Strout includes this pragmatic character’s interior musings, specifically the things we increasingly noticed as time slowed down during COVID.
I could so relate to Lucy’s quirky character: give me ornery, critical, and desperate any day! Weren’t we all?
NEW YORK TIMES BESTSELLER • From Pulitzer Prize–winning author Elizabeth Strout comes a poignant, pitch-perfect novel about a divorced couple stuck together during lockdown—and the love, loss, despair, and hope that animate us even as the world seems to be falling apart.
“No novelist working today has Strout’s extraordinary capacity for radical empathy. . . . May droves of readers come to feel enlarged, comforted, and genuinely uplifted by Lucy’s story.”—The Boston Globe
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The…
This YA novel was the first I read set during COVID times, and it hit me with the urgency of The Hate U Give by Angie Thomas.
I loved the author’s unwavering courage in tackling the racial subject matter head-on. Heartbreaking and whip-smart, it taught me what teens were going through with regard to virtual friendship, classrooms, and pop stardom. Farley’s novel captures a moment in time during the pandemic while others were still processing it.
Like a photo album, I wasn’t quite ready to revisit, it portrays the importance of a difficult time in our nation’s history coupled with that uneasy age of adolescence. Entertaining, yes, but a historical artifact, definitely.
For sixteen-year-old Geth Montego, zero o’clock begins on March 11, 2020. By June, she wonders if it will ever end.
“An insightful, eye-opening, and inventive story. C.J. Farley has penned a novel that sheds an important light on real issues facing young people today.” ―Angie Thomas, author of The Hate U Give
In early March 2020 in New Rochelle, New York, teenager Geth Montego is fumbling with the present and uncertain about her future. She only has three friends: her best friend Tovah, who’s been acting weird ever since they started applying to college; Diego, who she wants to ask…
The opening of this book knocked me out, and I was hooked.
I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.
I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.
Days after graduating college in the spring of 2019, Betsabé Ruiz’s life is turning out to be nothing less than cinematic. Although her job at a white-shoe Wall Street investment bank is the opportunity of a lifetime, she is not prepared for the magnitude of wealth swirling about her, the long hours and close quarters that infuse her professional relationships with intimacy, nor an unexpected attraction to her boss. And like all great films, Betsabé’s New York dream comes with a twist that challenges her to find a balance between where she came from and where she’s going.
Told in the retrospective as a letter to her unborn son, this book represents Betsabè’s coming-of-age as well as a modern retelling of a biblical love story.
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
